Asian Woman sings Chinese Folk Music



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Chinese vocal music was usually in a thin, weak voice or resonance in falsetto singing with solo singing over the chorus prevailed. Traditional Chinese singing is more likely to be described as melodic as harmonious. He probably evolved from set to music poems of Song Dynasty. The Chinese folk songs can be divided into three groups: The work songs were traditionally sung at work together under the direction of a lead singer. From its musical structure they are usually less demanding, vigorous and often heroic of its character. The usually quite short and rhythmically free mountain songs are sung in a high voice in numerous variations.

Similar to the Alpine yodelling they were originally of understanding over longer distances. The most widespread are finally formally relatively firmly established, however, but rhythmic and melodic lively folk tunes. They often surround festivals, rest or entertainment events. In the north, prevail rather passionate, moving songs. The Songs of the South are, however, rather than soft and fine. To this day, singing of the broadest strata of the people is exercised. Often found around in large urban parks in the morning spontaneously smaller choirs together, give the classic songs for the best.

Another important form of Chinese vocal music is listed by professional artists Chanting Quyi or Shuochang. Overall, he has spread to more than 200 species. Differences are usually three kinds, namely, pure vocals, narration with singing and singing loose recitation. Sometimes the lecturers accompany themselves on an instrument or accompany their songs with dance performances.

Traditional Chinese music is also listed in a rich repertoire that serene as serious plays miteinschließt and sometimes even based on western pop music or film songs. Use it finds particular even at festivities such as weddings and funerals. Often this comes the oboe-like suona used and a drum-like instrument called Chuigushou. In addition, however, the entire daily life of Chinese people is filled with music, whether it be at work on the rice field, on the way home in the early morning or in the urban parks. There is a lot of singing and happy, the traditional song treasure is unüberblickbar large.

Instrumentation and songs differ even within the music of the Han Chinese; In many cases, regional priorities have emerged:

In rural areas of the North is estimated ensembles from mouth organs, shawms, flutes, dizi and percussion instruments, which go back directly to the old imperial temple music. In Xi, an a certain kind which is drum music practiced, in addition to the eponymous percussion instruments still blowers are used; she has found in very commercialized form outside China spread. The reed flute Sheng is considered the forerunner of all the western tube instruments.

In the southern provinces of Fujian, Nanyin, Nanguan and in Taiwan music ballads are very popular. Credited they are usually accompanied by a flute and lute players of singer. Usually, they are drawn by sadness and melancholy and often act by entangled in unrequited love women. Even further south, in Shantou and Chaozhou are Erxian – and Guzheng -Ensemble spread. The cities of Nanjing and Hangzhou are known for their Sizhu known groups who perform with flutes and stringed instruments harmonic-melodic pieces, which are often very well received in the West. In the teahouses in Shanghai, the special form of will eventually Jiangnan Sizhu brought to hearing. The in Guangdong popular Cantonese music ultimately is based on the so-called. Cantonese Opera, but has received since the 1920s, numerous Western influences something in the field of jazz.

At the height of the Cultural Revolution were subject composition and performance of music major restrictions. Instead they created on the drawing board a light, harmonious, catchy, “pan-Chinese” music genre called Guoyue which was particularly mentioned at conservatories. After the Cultural Revolution, the old structures have been largely restored.

The Asian music is characterized by its antiquity, its wealth, its complex musical systems, its oral traditions still very much alive and profuse instrumentation. It can be divided into three areas related to major religious groups: Muslims, Hindus and Buddhists. The Muslim group includes Arab worlds, Persian and Turkish. The music is codified according to learned treatises that set out the rules for the drafting and interpretation.

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